Thursday, September 05, 2013

Rod Stewart - You're in my heart



"You're In My Heart (The Final Acclaim)"

I didn't know what day it was
when you walked into the room
I said hello unnoticed
You said goodbye too soon

Breezing through the clientele
spinning yarns that were so lyrical
I really must confess right here
the attraction was purely physical

I took all those habits of yours
that in the beginning were hard to accept
Your fashion sense, Beardsly prints
I put down to experience

The big bosomed lady with the Dutch accent
who tried to change my point of view
Her ad lib lines were well rehearsed
but my heart cried out for you

Chorus:

You're in my heart, you're in my soul
You'll be my breath should I grow old
You are my lover, you're my best friend
You're in my soul

My love for you is immeasurable
My respect for you immense
You're ageless, timeless, lace and fineness
You're beauty and elegance

You're a rhapsody, a comedy
You're a symphony and a play
You're every love song ever written
But honey what do you see in me

(Chorus)

You're an essay in glamour
Please pardon the grammar
but you're every schoolboy's dream
You're Celtic, United, but baby I've decided
You're the best team I've ever seen

And there have been many affairs
Many times I've thought to leave
But I bite my lip and turn around
'cause you're the warmest thing I've ever found

(Chorus)

http://www.youtube.com/watch?v=v1qxJPzjObI

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Conceit

In literature, a conceit is an extended metaphor with a complex logic that governs a poetic passage or entire poem. By juxtaposing, usurping and manipulatingimages and ideas in surprising ways, a conceit invites the reader into a more sophisticated understanding of an object of comparison. Extended conceits in English are part of the poetic idiom of Mannerism, during the later sixteenth and early seventeenth century.


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